World Triathlon Championships

It's one thing to be the director of an ARC Centre of Excellence — and all power to Philippa Maddern at UWA, who'll direct our Centre for the History of Emotions. But it's another thing altogether to be the director of the only Centre that will be based at Melbourne *and* to come 7th in the World Triathlon Championships in Budapest. OK, so it was the Veterans' division, or some such, but this is the feat accomplished by my friend Geoff Taylor in the Physics department, who is not only part of the team working on the Hadron Collider in Switzerland, but shaved 2 minutes off his PB in the event; and a full 3 minutes off his biking split.

Congratulations, Geoff!

Hmm. And on a day when I'm lurking at home, not even going for a walk, and catching up on emails...

Call for papers: "Futures"

A call for submissions for our wonderful, refereed postgraduate journal, antiTHESIS. Head here for the full call for papers on the topic "Futures."

It has become increasingly difficult to conceive of our culture as following a dialectical progression from a shared past into a collective future, whether utopian or dystopian. We find ourselves instead at a point at which “The Future,” a key concept in all branches of Western thought, creativity and experience, is replaced by myriad “Futures” of immediate relevance and consequence. How is our relationship to the future changing, and how do we actualise these potential futures?

The editors of antiTHESIS are seeking papers exploring the concept of futures to be published in Volume 21 of the journal. We invite graduate students and researchers from all disciplines within the arts, humanities and social sciences to submit abstracts. Suggested topics include, but are not limited to:

Terminus: the perceived ends of art, theory, ideology and history (and what comes after) • Alternative cultural and Indigenous perceptions of temporality • Future places and spaces • Future bodies, future minds • SF: speculative and science fiction • Futures of communication: new forms of language and media • Futures of diaspora, race and migration • Genetic futures: neo-hybridity and bio-technics • Technology: innovation, renovation and obsolescence • Retro-futurism: past visions of the future in design and fashion • Possible worlds: future political and social models • Environmental futures • Future memory and memorialisation • Apocalyptic visions •


Submissions should be sent to editor.antithesis@gmail.com by Monday, 11 October 2010.

How to mess up a job interview

In a couple of weeks, my School will be holding a workshop for graduate students on academic job interviews. It will involve a mock interview, for which we are currently preparing a kind of script, with a mix of "good" and "bad" responses.  In this country, we are usually pretty hamstrung in the questions we can ask, which are usually supposed to be the same for each candidate.

In a nutshell, the questions would normally be something like this:

·       Why should we hire you? i.e. what’s distinctive about you and why are you a good fit for this job? (code for "how will you fit in with us?")

·       Tell us about your current and future research plans?

·       Tell us about your teaching philosophy – and give an example of how you handle difficult situations.

·       What kind of graduate supervisor will you be? This is especially hard for recent graduates...

·       This job involves a fair amount of administration (i.e. convening a large first-year subject). How will you balance the demands of teaching and research?

·       What kind of courses would you like to teach?

·       Do you have any questions for us?

From your experience, on either side of the interview table, what are the most common pitfalls for job candidates in this situation? What kinds of answers work best? What are the golden rules of academic job interviewing? We have a very talented person who will be the "candidate" in this interview, but it would be great to have some specific examples. Any suggestions and advice are welcome. And then I'll undertake to post an account of the session, with the advice from our expert.

Such a Fortunate Life Have I Led

... that I have never received a bereavement card until the vet clinic that looked after Mima so well sent me a lovely card. Three pictures of serene cats, and a lovely message inside, along with a packet of seeds to scatter in the garden, and the wish, "May each flower bring a happy memory of Mima."

Of course I understand this is not a bereavement on the human scale. But it does, all the same, feel like a lesson in mortality. This is, after all, one of the reasons why we think it's good for children to have pets, to accustom them to the cycle of birth and death. Mima's life was a very good one; and she died in a most natural cat-like way: discreetly and privately. It's still sad, though.

Sympathy

Thank-you, everyone, for your kind comments and sympathies. It's both sad and comforting to feel others feel this sadness, too; and how it extends well beyond the loss of an animal, into a sense of the connections we make with them.

I called in to the vet's last night, to let them know to take Mima off their mailing list for the reminders for her various medications and check-ups. It's a big practice and it was a busy time, but the nurse took time to give me a hug and they all remembered her and commiserated. And for the first time I shed tears and sobbed all the way home.

Mima's vet, Anu, wasn't there, but she kindly phoned me up this morning and confirmed that yes, what with the kidney problems, the hypertension, the thyroid problem, the arthritis, and the epileptic fits, it was most likely that she had simply realised the time had come and it was easier just to slip away. The nurse last night thought she was trying to save me the agony of watching her deteriorate further, and I must say I was not looking forward to a final injection. Anu said what a lovely cat she was, and so easy and gentle to treat, and said they would always remember her, in her wicker picnic basket. I must say, this group represents best vet practice, as far as I can see.

It's feeling more and more real every day, though I see her in different parts of the house and garden each day.

I should have said, though, that the previous post was for Eileen, because she confessed in Siena she didn't at first like blogs because she didn't want to read about people's cats. She graciously said she had changed her mind (heavens, her dog now has his own facebook page!), but I thought it odd that the thing that brought me back to the blog was in fact the disappearance and death of my dear cat. So it proves she was right to make the association; and it also says something about the way a blog can somehow both extend you into community (a community of animal lovers, in this case), and how a cat can also remind you that you make those extensions beyond yourself, all the time.

That's not making a huge amount of sense, I know. I guess it's part of the work of mourning, to go over and over the same feelings.

Learning to Die — a post for Eileen

Thanks to all who posted comments and thoughts on my blogging paralysis.

Today, I return to the blog with the familiar theme of mortality. We've not seen the little old cat Mima for three days now, and I think she has quietly gone away to die. Over the last week she was looking more and more uncomfortable, whether standing, or crouching. I'd not seen her curled up, or sprawling with ease for a very long time. She had had several more fits, and I believe they were starting to affect her synapses, as she'd stand still for a long time, as if trying to remember how to put one foot in front of another to walk. She was having trouble jumping up on to our knees, but still loved to be held and cuddled as always. She was still grooming herself, but was very thin. She'd walk around and around the room in circles; she'd forget to eat; she'd forget she'd eaten; and generally was not really herself. A few days ago I held her close and told her the day might come soon. She seemed, now I look back, to be fading away from herself.

It was probably kidney failure in the end. Or the simple task of moving her old body through the day just became too much for her. She disappeared on Friday night, but turned up again on Saturday. But Sunday morning she was gone again and there has been no sign of her. I imagine she is deep in the garden somewhere or under the house, just quietly crouching, head sinking down until it does not lift again. There was no point calling her, as she is completely deaf. And in any case, it's so clear to me that she has taken herself away.

I'm sad there is no body to bury. But I still see her nestled in the garden when I walk outside: amongst the gardenias; sipping from the fishpond; walking up and down the paths. And I am overwhelmed by the dignity of her going away to die, especially as this was an extremely domesticated cat.

She came to me when she was a mere 8 weeks old, in 1991. From the day I brought her home she was a cuddly, talkative kind of cat, who loved to be held, and to sit on you. She spent many a happy hour on my desk, and in my house in Brunswick used to play a game of getting around the study without touching the floor: bookshelf to desk to cupboard to mantlepiece, etc. When I returned from the supermarket she'd greet me at the front door then thunder down the corridor to the kitchen. This was in the days before the calesi virus, when rabbit was cheap and plentiful, and rabbit liver a Saturday lunchtime treat. When we moved to the shared house in Fitzroy, she was not made welcome by the resident cat, and kind of lived in the front room for a year, until she became the sole resident cat here.

Mima loved a party. I always expected her to disappear, but she'd sprawl on the floor in the middle of a group and accept adulation.

When she was about a year old, she got into a fight, and had a tiny abscess on one ear. I took her to the vet and it began to heal, but the ear seemed to be turning back on itself as the scar tissue tightened. I took her back to the vet, who kept her overnight while he operated, straightening out the ear and stitching it to a piece of x-ray film. A week later we went back. He removed the stitches, and everything looked well, until she shook her head and the tip of her ear fell off. He was very embarrassed; and it was kind of funny, but left her with a damaged ear that looked far worse than the original injury. I have told that story hundreds of times, now, to nearly everyone who's come to my house over the last eighteen years. I've probably just told it for the last time.

When Joel was born, she was completely unimpressed. I remember sitting up in bed, breastfeeding, while she sat on the extreme corner of the bed with her back to us. But Joel's first word was "dat", and after that they became firm friends. They've watched much television together; and she's often been the image on his phone. He gave her her "cheeseballs", her various medications wrapped up in cheese; and a little taste of "breakfast milk" after finishing his cereal. She was part of so many of our little family routines, and we are all missing her very much.

She was the kind of cat who'd come and sit on your chest, and pat your face with her paws, and nuzzle and kiss you, and purr in your ear, telling you her secrets, as my sister said, or lie in your arms and stretch her paws up to your face. She'd always say hello when entering a room; and if you ran into her on the garden path and put your hand down, she would come up on her back feet so as to receive a pat.

None of these photos captures the beauty of this sweet little cat, or her funny little ways. Perhaps she wasn't the prettiest cat; but she was a cat of great character, and a cat who seemed to want to be closely knit into the fabric of our days. The vet said to me a few months ago — and it was at this moment I began my mourning, I think — "She's been at your side a long time, hasn't she?"

Farewell, little Mima, beloved companion.

Look what Simone found

Check out this report of Simone Marshall's cool discovery: a forgotten edition of Chaucer: http://www.odt.co.nz/campus/university-otago/121305/chaucer-volume-significant-discovery

Early Modern Print Culture at Melbourne

Two new initiatives around early modern print culture in Melbourne...

Announcing the launch of two new websites:

MELBOURNE PRINTS

and

DISASTERS IN EARLY MODERN EUROPE

We are very pleased to announce that two websites developed with the assistance of a Scholarly Innovation Information Grant from the Baillieu Library are now Œlive‚ and can be found at the following addresses:

http://melbourneprints.wordpress.com/

http://earlymoderndisaster.wordpress.com/

The ŒMelbourne Prints‚ website is being used to showcase a range of rare early modern books and prints held in the Baillieu Library, and ˆ as a work in progress ˆ will also feature work by students enrolled in several subjects in the School of Historical Studies, including the Honours and Masters by Coursework subject ŒMedieval Manuscripts and Early Print‚. The ŒDisasters in Early Modern Europe‚ website features information about the ARC Discovery Grant held by Charles Zika, Susan Broomhall and Jenny Spinks. Please drop by both sites as we continue to develop them over the next few years.

Catherine Kovesi
Tim Ould
Robyn Sloggett
Jenny Spinks
Charles Zika

A funny distraction

Thanks to everyone, here, and on Facebook, for comments about blogging and online communication. Yes, I let that remark get to me and overthrow much of what I really think about such things. More on this soon, I think, but in the meantime, do check out Tony Abbot's Iron Ladies: http://www.youtube.com/user/joholafaclub#p/a   Clever, clever girls.

Sudden online paralysis

... has been produced by a chance remark from one near and dear to me, to the effect that online writing doesn't form community so much as it allows the writer to project themselves, or an idea of themselves, into a network.

I know there are other ways to think about this, but for the moment, it's done for me. That's all the projecting I can assemble today.